Mohammad Rafi - a singer par excellence, absolute
pure in sound with mellifluous rendering that was as much at ease while
singing “Man tarpat Hari darshan” as with “Yahoo…”.
Rafi’s
“Illahi tu Sun le Hamaari Duaa” was the first recording, that Mehmood
okayed in his role as the producer of Chhote Nawab, where RD made his
debut. Rafi’s rendering of “Aaja Aaja” & “O Haseena Zulfon Wali”
added the spring to Teesri Manzil, the movie that catapulted Pancham to
the success, and never looked back.
Notwithstanding RD’s
preference for Kishore & Manna Dey, his songs with Rafi kept
creating waves, and the best example of this is the song that got Rafi
back into limelight, and as a “Sone par Suhaga” also got him his
National Award.
The
composition had all the elements that RD was known for – specially when
it came to his teaming up with Nasir Hussain & Majrooh. Electric
Guitar riffs (played by Bhupendra) that the song begins with and a
lovely piece on violin, before the first stanza, by Uttam Singh (who
went on to compose music later for movie like Waaris, Dil to Pagal Hai
& Dushman) were woven wonderfully in the composition.
Here it is, Kya Hua Tera Wada, from Hum Kisi Se Kam Nahin:
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