It would be apt to use an oft-quoted couplet from Majrooh, with whom RD created some of the biggest hits of his career:
Main Akela hi chala tha Jaanib-e-manzil, Magar
Log Aate Gaye Aur Caravan Banta Gaya
Talking about the caravan & the journey, here is another of
Pancham's hit. This is in format of a quawwalli - a format which Pancham
mastered, specially in 80s.
The song, picturised on a fast moving
train - from The Burning Train by Ravi Chopra - is a prelude to the
mishap that is about to take place. Hence, keeping true to the format
and the situation, the composition starts with Harmonium & Shehnai,
and then becomes double paced to match the romance and the joyous mood
inside the train, juxtaposed with the mood outside, where the train is
racing towards a disaster. Unfortunately, despite a huge star cast, and a
season of hugely popular disaster movies from Hollywood, this movie
itself proved to be a disaster. However, Rafi & Asha's rendition in
this excellent composition, proved to be a big draw, and is popular even
now.
Philosophically, this is
extension of Majrooh's couplet. While Majrooh wrote about gathering
people on the journey, Sahir who penned the verse here, wrote about the
need to enjoy the life now, due to its fickleness and the inevitability
where by the end of the journey one is always left alone. Ironically,
this was also the last movie of Sahir, just before his leaving for
another journey - alone.
Nazaron ke shok nazrane Hontho ke garm paimaane
Hai aaj apni mahafil men, Kal kya ho koi kya jaane
Yeh pal kushi ki jannat hai, Is pal me ji le diwane
Aaj ki kushiyan ek haqiqat, Kal ki kushiya afsane hai
Pal do pal ka saath hamara, Pal do pal ke yarane hai
Is manzil par hai milne vale, Us manzil par kho jaane hai
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